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They were also made the year I was born, like Lucio Fontana’s Manifesto of Spatial Concepts. So, in a way, they’re springboards for me. Stella painted those pictures when he was in his early 20s, and I’m curious if there’s something in your glorification of them as signs of youthful impulsivity. That’s it. You’re absolutely right. And you’ll have to come to New York to see what I do with them. They can exist in a photo and as a quote from the original, but you’ll have to come and see how they work in space, because I made them with neon so they’re transparent and you can see through them. It’s completely different. Meaningless. For example, think about what Karlheinz Stockhausen did with Haydn. So music has a huge influence on what I do. And to some extent I think of Stella’s original as some sort of piece of music that I’m playing by shifting it to another spatial and visual register. They are stepping stones. It’s like when John Cage said to Morton Feldman, “Just take a note, Morty, and use it as a springboard for the next note.” That’s it.
I would like to ask a little more about the relationship between music and filmmaking. Your work, along with Jarman’s, Maybury’s and others, transitions between art and pop, and you’ve collaborated with groups like Psychic TV, The Smiths, The Fall and The Pet Shop Boys on videos their music or video projects. Well, when you leave art school, you need to make a living, and you won’t just work in the store. So you have to enter into that negotiation with the music business, the fashion business or whatever, where there’s money and people are nice. And they appreciate what you’re trying to do. So you start doing applied art in a way. At the time, one of the things that record companies wanted to do was promote their artists with short films. There is a long history with all of that. And for many years paid my rent. It allows me to do other things. It’s always like that. When artists need to make money, they lean towards the business side. And many of them are really adorable, and you’re their friend anyway. It doesn’t feel like there’s a difference between this and that. It’s a pretty gentle subversion going on. You didn’t think, Oh, now I’m making money, and now I’m making real art. It was never like that. And you’ll see that on a large scale, because the partnership is quite welcome and productive. Now, when you think about collaboration, it’s a big thing blah-blah-blah with some multinational organization. But that was not the case then. It’s more organic, softer and sweeter. Some of the new neon works are officially related to Frank Stella’s Black Painting series. It’s unbelievable that Stella became an art celebrity overnight thanks to these paintings.
I’d like to close by asking you briefly how the dandy’s style and apparel invention has permeated all of your film, video, and light work. I was born like this. It’s actually quite simple. I inherited this. My grandfather once convinced my grandmother to turn her gold earrings into cufflinks for him. My father is a seamstress. End of. I adore sewing. I have my clothes made. I adore the art of tailoring, it’s extraordinary. I went to the same school as John Galliano, Stephen Jones, all these people. Stefano Pilati praised me in GQ magazine as the best dressed man in the world. And I’m proud. And every day, some old woman or some kid comes up to me and says, “I like the way you look.” And I said, “Well, I like the way you look too.” I was in Paris and the head of the Comme des Garçons came up to me and said, “You look great, honey.” That happened to me all the time. How wonderful. I like attention, I like to show off in funny clothes. I’ve always been like that, ever since I was a kid. Evans 2018.
Product detail:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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